Musicals on DVD - Discounted Musical DVDs

In this charming film based on the popular L.Frank Baum novel, Dorothy and her dog Toto are caught in a tornado's path and somehow end up in the land of Oz. Here she encounters some memorable friends and foes in her journey to meet the Wizard of Oz who everyone says can help her return home and possibly grant her new friends their goals of a brain, heart and courage.<span style="text-decoration: underline;">

Studio: Warner Home Video Release Date: 03/31/2009 Run time: 116 minutes Rating: G

Synopsis: Winner of six Oscars(R) including Best Picture, this sparkling musical showcases the incomparable Gene Kelly with the lovely Leslie Caron amid the glorious melodies of Gershwin. Director: Vincente Minnelli Actors: Leslie Caron, Gene Kelly Awards: ACADEMY AWARD - BEST CINEMATOGRAPHY ACADEMY AWARD - BEST COSTUME DESIGN ACADEMY AWARD - BEST DIRECTOR ACADEMY AWARD - BEST ORIGINAL STORY ACADEMY AWARD - BEST PICTURE ACADEMY AWARD - BEST SCORE ACADEMY AWARD - BEST SCREENPLAY ACADEMY AWARD - BEST SET DECORATION AFI - TOP 100 MOVIE AFI - TOP 100 PASSIONS ZAGAT SURVEY MOVIE SELECTION

THIS 7.1 DTS-HD MASTER AUDIO DISC DELIVERS AN AMAZING 3-DIMENSIONAL SURROUND SOUND EXPERIENCE THROUGH ANY BLU-RAY PLAYER (PS3) WITH AN HDMI OR OPTICAL (core only 5.1 and 6.1) OUTPUT CONNECTED OR ASSEMBLED WITH DTS-HD MA OR DTS (core only 5.1 and 6.1) CAPABLE RECIEVER THE FULL RANGE 7.1 (6.1;5.1) SURROUND SPEAKER SET-UP IS HIGHLY RECOMMENDED FOR FULL PERCEPTION OF 3-DIMENSIONAL SOUNDFIELD AND LOW FREQUENCY CHANNEL (LFE) THAT IS VERY CRITICAL FOR THIS RECORD. PLEASE NOTE THAT THIS RECORD WAS ORIGINALLY PRODUCED BY ALEXANDER GOLBERG JERO FOR 7.1 SURROUND SOUND REPRODUCTION TO PROVIDE YOU WITH UNIQUE 3-DIMENSIONAL SURROUND MUSIC EXPERIENCE.

Hollywood's legendary "woman's director," George Cukor (<i>The Women, The Philadelphia Story), transformed Audrey Hepburn into street-urchin-turned-proper-lady Eliza Doolittle in this film version of the Lerner and Loewe musical. Based on George Bernard Shaw's play <i>Pygmalion, <i>My Fair Lady stars Rex Harrison as linguist Henry Higgins (Harrison also played the role, opposite Julie Andrews, on stage), who draws Eliza into a social experiment that works almost too well. The letterbox edition of this film on video certainly pays tribute to the pageantry of Cukor's set, but it also underscores a certain visual stiffness that can slow viewer enthusiasm just a tad. But it's really star wattage that keeps this film exciting, that and such great songs as "On the Street Where You Live" and "I Could Have Danced All Night." Actor Jeremy Brett, who gained a huge following later in life portraying Sherlock Holmes, is quite electric as Eliza's determined suitor. --Tom Keogh

No one even bothers to argue about it any more--by any standard and international consensus, this is the best movie musical of them all. Its arcane, unlikely milieu is Hollywood during the transition in the late 1920s from silent to sound motion pictures. Its reason for being was producer Arthur Freed's desire to use the catalog of songs he had written with Nacio Herb Brown in the '20s and '30s for various shows and movies. But, ironically, it's now the soundtrack that seems cobbled together from disparate sources, while the movie itself remains seamless. That's thanks to a literate screenplay by Adolph Green and Betty Comden and ebulliant acting and dancing by the young Gene Kelly, Donald O'Connor, and Debbie Reynolds. Jean Hagen is especially brilliant as the silent-screen star whose speaking voice is so screechy she has to be dubbed for talkies. Kelly codirected with Stanley Donen, and both can take credit for a masterpiece. Musical standouts are "You Were Meant for Me," "Good Morning" and "All I Do Is Dream of You." Visually, the indelible image will always be Kelly sloshing around in puddles while singin' in the rain. That said, this coupling of video with a definitive version of the soundtrack benefits from Rhino's meticulous reconstruction of the material and extensive annotations, which only enhance our grasp of this film and musical legend's gestation. <I>---Robert Windeler

Well, bless my beautiful hide! Director Stanley Donen invests this rollicking musical with a hearty exuberance. Howard Keel, with his big-as-all-outdoors baritone, stars as a bold "mountain man" living in the Oregon woods who brings home a bride (plucky songbird soprano Jane Powell) to his six slovenly brothers. Taming the rambunctious brood, Jane proceeds to make gentlemen of them so they can woo sweethearts of their own. But old habits die hard: their flirting gives way to fighting in the film's celebrated barn-raising scene, a lively acrobatic dance number exuberantly choreographed by Michael Kidd. Big brother chimes in with his own brand of advice--an old-fashioned kidnapping! Donen manages to get away with such a politically incorrect plot by investing the boys with a innocent sweetness, most notably the youngest brother played with genial earnestness by Rusty (Russ) Tamblyn (pre-West Side Story). This modest production became a huge hit and remains one of MGM's best-loved musical comedies, an energetic, high-kicking classic. --Sean Axmaker

The third Rodgers & Hammerstein Broadway hit to go before the cameras, The King and I boasts a career-making performance from Yul Brynner, repeating his stage triumph as the titular monarch and proving to moviegoers that bald can be beautiful. It's Brynner's proud king that provides the fulcrum to the plot, and it's Brynner himself, with his piercing gaze and graceful physicality, that demands our attention.

The story line, adapted from an earlier, nonmusical stage hit, follows widowed English teacher Anna Leonowens (Deborah Kerr) to her new posting as tutor to the Siamese king's formidable mob of children. The collision of East and West affords its winning mixture of drama and humor, and the warm friendship that grows between the king and the patrician teacher provides a poignant, unfulfilled romance between the two wary protagonists. Into this framework, the composers insert a superb score, echoing Asian motifs, as well as a bouquet of lovely songs including "Hello, Young Lovers," "Shall We Dance," and two ensemble pieces for Anna and the royal children ("Getting to Know You" and "I Whistle a Happy Tune") that suggest prototypes for Rodgers & Hammerstein's later hit, <I>The Sound of Music.

For this 1956 production, 20th Century Fox lavished stereophonic sound, widescreen cinematography, intricate production design, and stunning sets. Technically, this newly mastered THX version is the best-looking and -sounding King yet to hit video. But, regardless of format, the glorious music is reason enough to hit "play." --Sam Sutherland

The winner of 10 Academy Awards, this 1961 musical by choreographer Jerome Robbins and director Robert Wise (<i>The Sound of Music) remains irresistible. Based on a smash Broadway play updating Shakespeare's Romeo and Juliet to the 1950s era of juvenile delinquency, the film stars Natalie Wood and Richard Beymer as the star-crossed lovers from different neighborhoods--and ethnicities. The film's real selling points, however, are the highly charged and inventive song-and-dance numbers, the passionate ballads, the moody sets, colorful support from Rita Moreno, and the sheer accomplishment of Hollywood talent and technology producing a film so stirring. Leonard Bernstein and Stephen Sondheim wrote the score. --Tom Keogh